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Ragtime pdf full text11/11/2023 ![]() ![]() Includes bibliographical references and index. Berendt and Günther Huesmann translated by H. The jazz book : from ragtime to the 21st century / Joachim E. Bredigkeit, Dan Morgenstern, Tim Nevill, and Jeb Bishop Jazz Book_FINAL interior.indd 1 5/15/09 3:14:50 PM Library of Congress Cataloging-in-Publication Data Berendt, Joachim-Ernst, 1922-2000. Berendt thoroughly covers styles and musicians along with blues, harmony, melody, and other elements of jazz, instruments, vocalists, big bands, and combos.” -Booklist Berendt and Huesmann Seventh Edition Revised and Expanded The Jazz Book From Ragtime to the 21st Century : Joachim-Ernst Berendt Gunther Huesmann Jazz Book_paper cover.indd 1 5/15/09 1:44:44 PM The Jazz Book From Ragtime to the 21st Century Seventh Edition Revised and Expanded Joachim-Ernst Berendt and Günther Huesmann Translated by H. A worthy addition to anyone’s music library.” -Hartford Courant The “The largest selling jazz history ever, with over a million copies purchased. And it could also satisfy the omnivorous taste of even the oldest aficionado. It could serve as a good introduction for someone just getting interested in the music. Jazz Book “A marvelously erudite yet readable encyclopedia of jazz. Jeb Bishop, who translated the bulk of this new edition, is a Chicago-based trombonist, improviser, and composer. Günther Huesmann studied musicology, film and television, and pedagogy a writer for jazz radio shows, he was responsible for the previous revision of The Jazz Book. Joachim-Ernst Berendt (1922–2000) was an internationally known authority on jazz and the author of more than twenty books. In addition, new chapters have been added on John Zorn, jazz in the 1990s and beyond, samplers, the tuba, the harmonica, non-Western instruments, postmodernist and repertory big bands, how the avant-garde has explored tradition, and many other subjects. In this new seventh edition, each chapter has been completely revised and expanded to incorporate the dominant styles and musicians since the book’s last publication in 1992, as well as the fruits of current research about earlier periods in the history of jazz. It relentlessly traces practitioners, no matter how new or ephemeral, to the roots of their styles.” -New York Times For over fifty years The Jazz Book has been the most comprehensive interpretive history of jazz available in one volume. Invaluable for reference and truly scholarly as well as entertaining.” -John Hammond “Among histories of the genre, The Jazz Book is perhaps the most encyclopedic. ![]() Music “Absolutely superb, probably the best organized book on jazz that I have ever read. Since 1990: Stylistic Diversity and the Art of Interaction. Repertory Orchestras, Europe, and the Diversity of Styles: The Nineties. ![]() Back to the Basics and Postmodernism: The Eighties. French Horn, Oboe, English Horn, Bassoon, Shells. The Percussion Instruments (Cuban, Salsa, Brazilian, African, Indian, Balinese). Organ, Keyboards, Synthesizer, Electronics. ![]()
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